Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-5 von 27
Seite
... at six plays from differing periods — Oedipus the King, As You Like It, Woyzeck, The Father, The Master Builder, Betrayal — in which the (Continued on back flap) Also by Richard Hornby : Script into Performance : A. Drama,. Metadrama,
... at six plays from differing periods — Oedipus the King, As You Like It, Woyzeck, The Father, The Master Builder, Betrayal — in which the (Continued on back flap) Also by Richard Hornby : Script into Performance : A. Drama,. Metadrama,
Seite 16
... period in which the code did not operate . The polarity that dominated Renaissance art and literature was instead the Platonic one of Idea / Imitation . In calling for the players to mirror nature , Hamlet is not asking them to avoid ...
... period in which the code did not operate . The polarity that dominated Renaissance art and literature was instead the Platonic one of Idea / Imitation . In calling for the players to mirror nature , Hamlet is not asking them to avoid ...
Seite 27
... period of hostile confrontation with the Soviets . The drama / culture complex is thus not something beyond our control that fatefully rules our lives ; it can change . It changes gradually , however , and rarely in response to any ...
... period of hostile confrontation with the Soviets . The drama / culture complex is thus not something beyond our control that fatefully rules our lives ; it can change . It changes gradually , however , and rarely in response to any ...
Seite 31
... that a dramatic work is always experienced at least secondarily as metadramatic . Metadrama is thus not a narrow phenomenon , limited to a few great play- 31 wrights or to a few periods in theatre history , 2: The Play within the Play.
... that a dramatic work is always experienced at least secondarily as metadramatic . Metadrama is thus not a narrow phenomenon , limited to a few great play- 31 wrights or to a few periods in theatre history , 2: The Play within the Play.
Seite 32
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York