Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
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Seite 16
... is no longer seen as its defining trait . The present revaluation of Ibsen's plays provides an example : critics of the past few decades have been treating Ibsen primarily as a dramatic poet , whose plays are filled 16 Drama and Reality.
... is no longer seen as its defining trait . The present revaluation of Ibsen's plays provides an example : critics of the past few decades have been treating Ibsen primarily as a dramatic poet , whose plays are filled 16 Drama and Reality.
Seite 27
... present low value of humanistic studies in contrast to the social and physical sciences is in large measure the very result of realistic doctrine , which fails to recognize the crucial function that drama has for us . Drama is not a ...
... present low value of humanistic studies in contrast to the social and physical sciences is in large measure the very result of realistic doctrine , which fails to recognize the crucial function that drama has for us . Drama is not a ...
Seite 54
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Seite 112
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Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York