Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-5 von 22
Seite 14
... question . The realistic / antirealistic polarity in dramatic theory may at last be dying out , as new theories from structuralism and poststructuralism supersede it . This is not to say that realistic drama is dying . Realism in the ...
... question . The realistic / antirealistic polarity in dramatic theory may at last be dying out , as new theories from structuralism and poststructuralism supersede it . This is not to say that realistic drama is dying . Realism in the ...
Seite 16
... question of whether a given work is " close to " or " far from " everyday life was simply not at issue . The same holds true for poststructuralist approaches , including semiotics , deconstruction , reader - response theory ...
... question of whether a given work is " close to " or " far from " everyday life was simply not at issue . The same holds true for poststructuralist approaches , including semiotics , deconstruction , reader - response theory ...
Seite 17
... question of just how drama , or any other art form , actually does relate to life , if it does so at all . Certainly the traditional , simple bipolarity of " close to " versus " far from " will not do . It leaves too many elements in ...
... question of just how drama , or any other art form , actually does relate to life , if it does so at all . Certainly the traditional , simple bipolarity of " close to " versus " far from " will not do . It leaves too many elements in ...
Seite 19
... questions about artistic value . If a knowledge of archetypes is all that is required to write a good play , why are more good plays not written ? Why is it that when I , a critic who has read more widely than either Shakespeare or ...
... questions about artistic value . If a knowledge of archetypes is all that is required to write a good play , why are more good plays not written ? Why is it that when I , a critic who has read more widely than either Shakespeare or ...
Seite 23
... traditional elements , but the serious play will call some of those very elements into question , making them seem strange— " alienated , " to use Brecht's termi- nology , or " defamiliarized , " in the terminology Drama and Reality 23.
... traditional elements , but the serious play will call some of those very elements into question , making them seem strange— " alienated , " to use Brecht's termi- nology , or " defamiliarized , " in the terminology Drama and Reality 23.
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York