Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
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... reality, to itself, and to culture generally. The first section is a critique of realism as a theory (rather than a practice) in drama. While realistic theory implies that all elements of drama (including those of performance) can be ...
... reality, to itself, and to culture generally. The first section is a critique of realism as a theory (rather than a practice) in drama. While realistic theory implies that all elements of drama (including those of performance) can be ...
Seite 4
... and perception . Bibliography : p . Includes index . I. Title . PN1631.H58 1986 809.2 ISBN 0-8387-5101-6 ( alk . paper ) 85-47936 Printed in the United States of America For Yvonne Contents Acknowledgments 1 Drama and Reality 9 13.
... and perception . Bibliography : p . Includes index . I. Title . PN1631.H58 1986 809.2 ISBN 0-8387-5101-6 ( alk . paper ) 85-47936 Printed in the United States of America For Yvonne Contents Acknowledgments 1 Drama and Reality 9 13.
Seite 7
Richard Hornby. Contents Acknowledgments 1 Drama and Reality 9 13 PART I Varieties of the Metadramatic 2 The Play within the Play 31 3 The Ceremony within the Play 49 4 Role Playing within the Role 67 5 6 Literary and Real - Life ...
Richard Hornby. Contents Acknowledgments 1 Drama and Reality 9 13 PART I Varieties of the Metadramatic 2 The Play within the Play 31 3 The Ceremony within the Play 49 4 Role Playing within the Role 67 5 6 Literary and Real - Life ...
Seite 9
... my graduate seminars in the School of Theatre at Florida State University have been invaluable over the years in responding to and stimulating my ideas . 9 Drama , Metadrama , and Perception 1 Drama and Reality Acknowledgments.
... my graduate seminars in the School of Theatre at Florida State University have been invaluable over the years in responding to and stimulating my ideas . 9 Drama , Metadrama , and Perception 1 Drama and Reality Acknowledgments.
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York