Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
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Seite 16
... reason for this apparent contradiction is not the condescending one that is usually heard , that the Elizabethans had more naive ideas about reality than we do . Instead , their ideas about art and reality were organized differently ...
... reason for this apparent contradiction is not the condescending one that is usually heard , that the Elizabethans had more naive ideas about reality than we do . Instead , their ideas about art and reality were organized differently ...
Seite 19
... much in their later work . ) This is the reason that a Shakespeare or an Ibsen can write great plays , while even an intelligent , educated person without their talent cannot . Their " talent " consists of an Drama and Reality 19.
... much in their later work . ) This is the reason that a Shakespeare or an Ibsen can write great plays , while even an intelligent , educated person without their talent cannot . Their " talent " consists of an Drama and Reality 19.
Seite 23
... reason for the extensive opposition in the United States to the Vietnam War ; Americans had a vehicle for thinking about war in a negative way — the anti - war novel or the anti - war play - which earlier Americans had not had during ...
... reason for the extensive opposition in the United States to the Vietnam War ; Americans had a vehicle for thinking about war in a negative way — the anti - war novel or the anti - war play - which earlier Americans had not had during ...
Seite 24
... reason that playwrights who seem revolutionary always turn out , after critical analysis , to be embedded in a tradition . Shaw seemed revolution- ary , but , as Martin Meisel showed in his excellent book , Shaw and the Nineteenth ...
... reason that playwrights who seem revolutionary always turn out , after critical analysis , to be embedded in a tradition . Shaw seemed revolution- ary , but , as Martin Meisel showed in his excellent book , Shaw and the Nineteenth ...
Seite 26
... reason that the underlying legal philoso- phy which determines our use of these words does not seem natural to all societies . " 15 Eskimo languages have some thirty or so words for water in its frozen state , in contrast to the half ...
... reason that the underlying legal philoso- phy which determines our use of these words does not seem natural to all societies . " 15 Eskimo languages have some thirty or so words for water in its frozen state , in contrast to the half ...
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York