Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
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Seite 21
... ritual as embodying a world view for the tribe . The mistake that civilized people made originally in examining primitive myth and ritual was in assuming that they operated in piecemeal fashion , with each individual story or rite ...
... ritual as embodying a world view for the tribe . The mistake that civilized people made originally in examining primitive myth and ritual was in assuming that they operated in piecemeal fashion , with each individual story or rite ...
Seite 22
... ritual are not primitive science and technology ; they are primitive literature and theatre . Conversely , literature , theatre , and the arts generally function for us like myth and ritual for primitive tribes , Like the primitive myth ...
... ritual are not primitive science and technology ; they are primitive literature and theatre . Conversely , literature , theatre , and the arts generally function for us like myth and ritual for primitive tribes , Like the primitive myth ...
Seite 49
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Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York