Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-5 von 45
Seite 20
... scenes reflect other scenes , verbal images reflect other verbal images , and so on , generating the motifs that hold the play together . The playwright , as he composes his play , is unconcerned with external realities , and instead ...
... scenes reflect other scenes , verbal images reflect other verbal images , and so on , generating the motifs that hold the play together . The playwright , as he composes his play , is unconcerned with external realities , and instead ...
Seite 24
... scene too early ( Nora is not even on stage at the time ) , and in the final scene , where audiences would expect a confrontation between the heroine and the villain , there is instead a confrontation between the heroine and her husband ...
... scene too early ( Nora is not even on stage at the time ) , and in the final scene , where audiences would expect a confrontation between the heroine and the villain , there is instead a confrontation between the heroine and her husband ...
Seite 34
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Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York