Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
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... sense metadramatic. There are many varieties of metadrama, however, of varying degrees of explicitness, and the more explicit the metadrama, the more it generates a sense of estrangement in the audience, who are forced to realign their ...
... sense metadramatic. There are many varieties of metadrama, however, of varying degrees of explicitness, and the more explicit the metadrama, the more it generates a sense of estrangement in the audience, who are forced to realign their ...
Seite 15
... sense of it as an interconnected system ; a second - year student of English as a foreign language would probably know 75 percent of the vocabulary and 100 percent of the formal grammar that the average native speaker would know , but ...
... sense of it as an interconnected system ; a second - year student of English as a foreign language would probably know 75 percent of the vocabulary and 100 percent of the formal grammar that the average native speaker would know , but ...
Seite 18
... sense , it will only show up where it seems to fit . ( The film All the President's Men was a good example of this ; although all its characters were based on actual people and all its events actually happened , the film succeeded not ...
... sense , it will only show up where it seems to fit . ( The film All the President's Men was a good example of this ; although all its characters were based on actual people and all its events actually happened , the film succeeded not ...
Seite 19
... sense of what a play is how action progresses , how characters are supposed to behave , what kind of situations are interesting . As it does for the playwright , the play for the audience reflects primarily inward , and secondarily ...
... sense of what a play is how action progresses , how characters are supposed to behave , what kind of situations are interesting . As it does for the playwright , the play for the audience reflects primarily inward , and secondarily ...
Seite 20
... sense of what a play is and of the very rules that hold it together have been formed through their experience with other drama . Just as a theorem in geome- try is self - contained , vet at the same time is a product of geometry as a ...
... sense of what a play is and of the very rules that hold it together have been formed through their experience with other drama . Just as a theorem in geome- try is self - contained , vet at the same time is a product of geometry as a ...
Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York