Drama, Metadrama and PerceptionAssociated University Presse, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-5 von 32
Seite 16
... true for poststructuralist approaches , including semiotics , deconstruction , reader - response theory , information theory , or phenomenological criticism . The whole tenor of contemporary aesthetics is nonmimetic . This is , again ...
... true for poststructuralist approaches , including semiotics , deconstruction , reader - response theory , information theory , or phenomenological criticism . The whole tenor of contemporary aesthetics is nonmimetic . This is , again ...
Seite 21
... true meaning of the tale is thus an analogical one : our tribe is to theirs as bears are to eagles . Bears and eagles , in turn , will have a whole range of associations connected to them that will make Drama and Reality 21.
... true meaning of the tale is thus an analogical one : our tribe is to theirs as bears are to eagles . Bears and eagles , in turn , will have a whole range of associations connected to them that will make Drama and Reality 21.
Seite 24
... true villain of the piece . Critics who dislike Ibsen have pointed to all his Well - Made Play machinery with scorn , while those who like him have tried to explain it away . ( One such critic insisted that Ibsen really got all the ...
... true villain of the piece . Critics who dislike Ibsen have pointed to all his Well - Made Play machinery with scorn , while those who like him have tried to explain it away . ( One such critic insisted that Ibsen really got all the ...
Seite 32
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Inhalt
13 | |
29 | |
31 | |
The Ceremony within the Play | 49 |
Role Playing within the Role | 67 |
Literary and RealLife Reference within the Play | 88 |
SelfReference | 103 |
Drama and Perception | 119 |
Shakespeare As You Like It | 133 |
Buchner Woyzeck | 148 |
Strindberg The Father | 158 |
Ibsen The Master Builder | 164 |
Pinter Betrayal | 171 |
Afterword | 179 |
Works Cited | 181 |
Index | 185 |
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Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain century ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke estrangement Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet human Ibsen identity inner play inset type intuitive Jaques Laius Laura literary reference literature live Macbeth main play means metadramatic Molière murder nature neurotic never Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production provides R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical theory things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York