 | 1835 - 566 Seiten
...solid plane. Even Vasari, who wrote when this mixed style of rilievo was generally practised, remarks the absurdity of representing the plane on which the...are to be seen ' even in the doors of San Giovanni.' Lorenzo Ghiberti, like other Florentine sculptors, first learnt the practice of his art from a goldsmith,... | |
 | 1835 - 550 Seiten
...solid plane. Even Vasari, who wrote when this mixed style of rilievo was generally practised, remarks the absurdity of representing the plane on which the...errors, he adds, are to be seen ' even in the doors of SaruGiovanni.' Lorenzo Ghiberti, like other Florentine sculptors, first learnt the practice of his... | |
 | Miss Ludlow - 1851 - 486 Seiten
...horizon, according to the laws of perspective ; in consequence of which " we often see," says he, " the point of the foot of a figure, standing with its...spectator, touching the middle of the leg, owing to the right ascent or foreshortening of the ground. Such errors," he adds, " are to be seen even in the doors... | |
 | Daniel Huntington - 1838 - 492 Seiten
...horizon, according to the laws of perspective ; in consequence of which " we often see," says he, " the point of the foot of a figure, standing with its...spectator, touching the middle of the leg, owing to the right ascent or foreshortening of the ground. Such errors," he adds, " are to be seen even in the doors... | |
 | Charles Knight - 1866 - 532 Seiten
...solid plane. Even Vasari, who wrote when this mixed style of rilievo was generally practised, remarks the absurdity of representing the plane on which the...are to be seen "even in the doors of San Giovanni." Lorenzo Ghiberti, like other Florentine sculptors, first learnt the practice of his art from a goldsmith,... | |
 | 1866 - 520 Seiten
...often see," he snys, "the point of the foot of a figure, standing with its bnck to the speetr-tor, touching the middle of the leg." owing to the rapid...be seen '•' even in the doors of San Giovanni." Lorenzo Ghiberti, like other Florentine sculptors, first learnt tho practice of his art from n goldsmith,... | |
 | Susan Horner, Joanna B. Horner - 1873 - 524 Seiten
...solid plane. Even Vasari, who wrote when this mixed style of relievo was generally practised, remarked the absurdity of representing the plane on which the...are to be seen even in the doors of San Giovanni' " (pp. 121, 123).* Ghiberti received ample acknowledgment of his great work in the honours bestowed... | |
 | Susan Horner, Joanna B. Horner - 1873 - 534 Seiten
...solid plane. Even Vasari, who wrote when this mixed style of relievo was generally practised, remarked the absurdity of representing the plane on which the...are to be seen even in the doors of San Giovanni' " (pp. 121, 123).* Ghiberti received ample acknowledgment of his great work in the honours bestowed... | |
 | 1875 - 486 Seiten
...horizon, according to the laws of perspective ; in consequence of which " we often see} ' says he, " the point of the foot of a figure, standing with its...spectator, touching the middle of the leg, owing to the right ascent or foreshortening of the ground. Such errors," he adds, " are to be seen even in the doors... | |
 | 1879 - 512 Seiten
...horizon, according to the laws of perspective ; in consequence of which " we often see, ' says he, " the point of the foot of a figure, standing with its...spectator, touching the middle of the leg, owing to the right ascent or foreshortening of the ground. Such er'ors," he adds, " are to be seen even in the doors... | |
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Lorenzo Ghiberti, like other Florentine sculptors, first learnt the practice of his art from a goldsmith, and the designs of the artists who competed with him for the honour of executing the doors of San Giovanni were submitted to the judgment of goldsmiths... 