Hamlet. Julius CæsarHarper & brothers, 1884 |
Im Buch
Ergebnisse 1-5 von 73
Seite 13
... seems to be no authentic record of any performance earlier than 1626 , and the text that has come down to us cannot be traced farther back than 1710 ) , and which may have been based on the pre - Shakespearian play . In the quarto of ...
... seems to be no authentic record of any performance earlier than 1626 , and the text that has come down to us cannot be traced farther back than 1710 ) , and which may have been based on the pre - Shakespearian play . In the quarto of ...
Seite 19
... seems to have wished to exemplify the moral necessity of a due bal- ance between our attention to the objects of our senses , and our meditation on the workings of our minds , -an equilibrium between the real and the imaginary worlds ...
... seems to have wished to exemplify the moral necessity of a due bal- ance between our attention to the objects of our senses , and our meditation on the workings of our minds , -an equilibrium between the real and the imaginary worlds ...
Seite 23
... seems to belong , not to the character being more perfectly drawn , but to there being a more intense conception of individual human life than perhaps in any other human composition ; that is , a being with springs of thought , and ...
... seems to belong , not to the character being more perfectly drawn , but to there being a more intense conception of individual human life than perhaps in any other human composition ; that is , a being with springs of thought , and ...
Seite 24
... seems as if a touch would profane it ; so sanctified in our thoughts by the last and worst of human woes , that we scarcely dare to consider it too deeply . The love of Ophelia , which she never once con- fesses , is like a secret which ...
... seems as if a touch would profane it ; so sanctified in our thoughts by the last and worst of human woes , that we scarcely dare to consider it too deeply . The love of Ophelia , which she never once con- fesses , is like a secret which ...
Seite 25
... seems to look with a kind yet melancholy complacency on the love- ly being she has destined for the bride of her son ; and the scene in which she is introduced as scattering flowers on the grave of Ophelia is one of those effects of ...
... seems to look with a kind yet melancholy complacency on the love- ly being she has destined for the bride of her son ; and the scene in which she is introduced as scattering flowers on the grave of Ophelia is one of those effects of ...
Häufige Begriffe und Wortgruppen
Abbott Gr accent Bernardo blood Brutus Caldecott Calpurnia Capitol Casca Cassius character Cicero Cinna Citizen Clitus Clown Coll Craik Cymb dead dear death Decius deed Delius dost doth edition Enter Exeunt Exit eyes father fear folio reading follow Fortinbras friends Ghost give Guildenstern Hamlet hand hast hath hear heart heaven honour Horatio Johnson Julius Cæsar King Laertes Lear Ligarius look lord Lucilius Lucius Macb madness Malone Marcellus Mark Antony matter means Messala mind mother murther nature night noble noun Octavius Ophelia Osric passage passion Pindarus play players Plutarch poet Polonius Pompey Portia pray quartos Queen Rich Rolfe's Roman Rome Rosencrantz Rosencrantz and Guildenstern says SCENE Schmidt sense Shakespeare Sonn soul speak speech spirit Steevens quotes sword tell Temp thee Theo thing thou thought Titinius unto verb Warb word
Beliebte Passagen
Seite 86 - Come I to speak in Caesar's funeral. He was my friend, faithful and just to me: But Brutus says he was ambitious; And Brutus is an honourable man. He hath brought many captives home to Rome, Whose ransoms did the general coffers fill: Did this in Caesar seem ambitious?
Seite 96 - With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all...
Seite 44 - Why, man, he doth bestride the narrow world Like a Colossus, and we petty men Walk under his huge legs and peep about To find ourselves dishonourable graves.
Seite 89 - O, now you weep, and I perceive you feel The dint of pity; these are gracious drops. Kind souls, what! weep you when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Seite 87 - Yet Brutus says, he was ambitious ; And, sure, he is an honourable man. I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause ; What cause withholds you then to mourn for him...
Seite 58 - Neither a borrower nor a lender be ; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all : to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man.
Seite 87 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Seite 50 - Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief, That can denote me truly : these, indeed, seem, For they are actions that a man might play ; But I have that within, which passeth show, These but the trappings and the suits of woe.
Seite 92 - I have heard That guilty creatures sitting at a play Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Seite 100 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.