Lovers, Clowns, and Fairies: An Essay on Comedies
University of Chicago Press, 15.06.1993 - 272 Seiten
Through dreams and shadows and strangeness, through blinding charms and eye-opening counter-charms, through moments of mortification and laughter—thus Stuart M. Tave traces the journey of the lovers, clowns, and fairies who populate comedies from A Midsummer Night's Dream to Waiting for Godot. Tave avoids the pitfalls of theory, taking instead a close look at particular works to give us a sense of the relations between certain dramas and novels that are called comedies. The result is a wonderfully readable book that renews our delight in the enchanting possibilities of literature.
A Midsummer Night's Dream, in its "perfection," is Tave's point of departure. Its characters fall neatly into the three groups of Tave's title and fulfill to perfection their functions of desire, foolishness, and power. From the magical concord of Shakespeare's resolution, Tave moves to works whose character face ever greater difficulties in reaching a happy conclusion. From Jonson and Austen to Chekhov and Beckett, he meets comedies on their own terms, illuminating the complex and individual genius of each. A masterpiece of practical criticism, Lovers, Clowns, and Fairies rediscovers the pleasure of reading comedies.
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A league without the town A Midsummer Nights Dream
These mountains make you dream of women Man and Superman
What are men to rocks and mountains? Pride and Prejudice
All beyond High Parks a desert The Man of Mode
Bevil Juniors lodgings The Conscious Lovers
A league below the city Measure for Measure
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accept Angelo appears asks beautiful become begin better Bevil blind brings brother certainly characters charm clowns Comedy comes course dance Darcy death desire Devil Dorimant dream Duke earth effect Elizabeth expect eyes fact fairies father feel follow fool force give hand happy Harriet hear heaven hope human imagination Jane journey kind lady language laugh less limits live look Loveit lovers marry means Measure meet mind mortal Mosca move nature never night offer once play possible present problem reality reason says scene seems seen sense sort speak story strange successful superior talk Tanner tells thing thought tion told town true truth turns uncle understand vision Volpone wants woman young
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