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Seite 5
... Ancient English Poetry " — The character of this poetry -- Robert Burns His boyhood- Early trials - Mossgeil Farm The freshness of his poetry- Its universality - Wordsworth's lines- " The Mountain - Daisy " " The Field - Mouse ...
... Ancient English Poetry " — The character of this poetry -- Robert Burns His boyhood- Early trials - Mossgeil Farm The freshness of his poetry- Its universality - Wordsworth's lines- " The Mountain - Daisy " " The Field - Mouse ...
Seite 6
... Ancient Mariner " - " Christabel " - Its beauty - His epitaph .................................... . LECTURE XIII . SOUTHEY , ( WITH NOTICE OF CHARLES LAMB Charles Lamb , the friend of Coleridge and Southe Old Familiar Faces " - " Elia ...
... Ancient Mariner " - " Christabel " - Its beauty - His epitaph .................................... . LECTURE XIII . SOUTHEY , ( WITH NOTICE OF CHARLES LAMB Charles Lamb , the friend of Coleridge and Southe Old Familiar Faces " - " Elia ...
Seite 9
... Ancient English Poetry ” — The character of this poetry - Robert Burns - His boyhood - Early trials - Mossgeil Farm - The freshness of his poetry - Its universality -Wordsworth's lines - The Mountain - Daisy - The Field - mouse ...
... Ancient English Poetry ” — The character of this poetry - Robert Burns - His boyhood - Early trials - Mossgeil Farm - The freshness of his poetry - Its universality -Wordsworth's lines - The Mountain - Daisy - The Field - mouse ...
Seite 14
... ancient introducing Pope , the little Queen Anne's poet , wrapped in a Roman toga , to the nine Muses , who are seated by the side of a kind of creek , clad in the usual amount of clothing deemed appropriate to the com- fort of a Muse ...
... ancient introducing Pope , the little Queen Anne's poet , wrapped in a Roman toga , to the nine Muses , who are seated by the side of a kind of creek , clad in the usual amount of clothing deemed appropriate to the com- fort of a Muse ...
Seite 24
... Ancient English Poetry " has been es- teemed by high authorities as one of the chief agencies in reviving a genuine feeling for true poetry in the public mind . The traditionary minstrelsy , ancient bal- lads , and historical songs were ...
... Ancient English Poetry " has been es- teemed by high authorities as one of the chief agencies in reviving a genuine feeling for true poetry in the public mind . The traditionary minstrelsy , ancient bal- lads , and historical songs were ...
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Häufige Begriffe und Wortgruppen
admiration ALONZO POTTER ancient auld bard beautiful beneath bonny bonny Dundee breath bright Burns Byron's character Charles Lamb child Christabel Coleridge's criticism dark dead dear deep delight descriptive poetry early earth Edmund Spenser emotion English poetry fame fancy feeling frae French Revolution friends genius gentle glory happy Hartley Coleridge hath heart heaven HENRY REED honour human imagination Jansenists Johnson language lecture light literary literature living look Lord lyrical poetry melody memory Milton mind minstrelsy moral nature never night o'er pass passage passion Petrarch poem poet poet's poetic Pope prose QUESNEL reader Samuel Taylor Coleridge Scott Scottish sense sentiment Shakspeare song sonnet soul sound Southey Southey's Spenser spirit stanzas strain strong sweet sympathy taste Thalaba thee thing thou thought tion true truth utterance verse voice volume words Wordsworth writings youth
Beliebte Passagen
Seite 123 - Alas ! they had been friends in youth ; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
Seite 262 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Seite 118 - Christ! what saw I there! Each corse lay flat, lifeless, and flat, And, by the holy rood! A man all light, a seraph-man, On every corse there stood. This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart — No voice; but oh!
Seite 120 - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Seite 260 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Seite 195 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Seite 115 - The moving Moon went up the sky, And nowhere did abide; Softly she was going up, And a star or two beside...
Seite 33 - Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o'er! Such fate to suffering worth is...
Seite 113 - All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.
Seite 264 - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.