Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 287
... love for him in exchange for land , wealth and power . A form of oral contract publicly uttered by his daughters binding them to provide for Lear's welfare in his elder years . RTE Production LEAR : King Lear Act 1 : i Tell me , my ...
... love for him in exchange for land , wealth and power . A form of oral contract publicly uttered by his daughters binding them to provide for Lear's welfare in his elder years . RTE Production LEAR : King Lear Act 1 : i Tell me , my ...
Seite 303
... Love that makes Breath unable , Beyond all manner of so much I love you . Sfx : ( crowd ) Short round of applause , sound of laughs and ah's CORDELIA : What shall Cordelia speak ? Love , and be Silent Of all these Bonds , even from this ...
... Love that makes Breath unable , Beyond all manner of so much I love you . Sfx : ( crowd ) Short round of applause , sound of laughs and ah's CORDELIA : What shall Cordelia speak ? Love , and be Silent Of all these Bonds , even from this ...
Seite 340
... Love that makes Breath poor , and Speech unable , Beyond all manner of so much I love you . B.7 If Cordelia's line is written as an aside how is it produced in interior monologue ? CORDELIA : What shall Cordelia speak ? Love , and be ...
... Love that makes Breath poor , and Speech unable , Beyond all manner of so much I love you . B.7 If Cordelia's line is written as an aside how is it produced in interior monologue ? CORDELIA : What shall Cordelia speak ? Love , and be ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice