Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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... accepted as an equal with all other sonic / aural events , can define and impart meaning on a sub - textual level as a paralanguage in its own right , for example , the music's compositional structure of melodic , of melodic , harmonic ...
... accepted as an equal with all other sonic / aural events , can define and impart meaning on a sub - textual level as a paralanguage in its own right , for example , the music's compositional structure of melodic , of melodic , harmonic ...
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... accepted that all external parts of the human body and in particular nerve endings can also tangibly ' feel ' sound through vibration . Also , given that the auditory mechanism itself functions solely on sound wave fluctuations and ...
... accepted that all external parts of the human body and in particular nerve endings can also tangibly ' feel ' sound through vibration . Also , given that the auditory mechanism itself functions solely on sound wave fluctuations and ...
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... accepted in radio drama that sound effects ( Sfx . ) can aid a voice by aurally depicting scenery e.g. driving rain , a violent storm , quiet country - side sounds , seaside sounds etc. and music can certainly help to create a ...
... accepted in radio drama that sound effects ( Sfx . ) can aid a voice by aurally depicting scenery e.g. driving rain , a violent storm , quiet country - side sounds , seaside sounds etc. and music can certainly help to create a ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice