Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 205
... close and intimate dialogue , conspiracy , secrets , narrator's and storyteller's position . Position 2 is also the ... close and close ) by which the other end of the aural perspective ( off / far and distant ) can be realized spatially ...
... close and intimate dialogue , conspiracy , secrets , narrator's and storyteller's position . Position 2 is also the ... close and close ) by which the other end of the aural perspective ( off / far and distant ) can be realized spatially ...
Seite 251
... close but not very close ) , is the type of proximity sound heard by listeners from generally all other types of radio broadcasting e.g. news reading , presentation , book readings , magazine pro- grammes etc. This is also referred to ...
... close but not very close ) , is the type of proximity sound heard by listeners from generally all other types of radio broadcasting e.g. news reading , presentation , book readings , magazine pro- grammes etc. This is also referred to ...
Seite 327
... close and intimately interesting aural perspective between the three sisters while keeping France out of the intimacy by placing him further back . Similarly to the BBC4 production , Goneril and Regan are aurally placed close together ...
... close and intimately interesting aural perspective between the three sisters while keeping France out of the intimacy by placing him further back . Similarly to the BBC4 production , Goneril and Regan are aurally placed close together ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice