Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 127
... complete in itself as a single sound the screech is somewhat incomplete as an aural image because it is missing other separate but what we generally consider associated sonic elements . A more complete image is created if the screech ...
... complete in itself as a single sound the screech is somewhat incomplete as an aural image because it is missing other separate but what we generally consider associated sonic elements . A more complete image is created if the screech ...
Seite 163
... complete spoken - words or speech , play a critically important role . In a sound only medium , for example , radio drama and telephone conversations , utterances such as audible breathing , sighs , grunts , groans , cries , incomplete ...
... complete spoken - words or speech , play a critically important role . In a sound only medium , for example , radio drama and telephone conversations , utterances such as audible breathing , sighs , grunts , groans , cries , incomplete ...
Seite 367
... Complete Being p.277 Elam , Keir . The Semiotics of Theatre and Drama p.166 6 Hughes , Ted . Shakespeare and the Goddess of Complete Being : p.278 7 Titze , Ingo R. Principles of Voice Production p.xvii 8 ibid . p.xx 9 King Lear . The ...
... Complete Being p.277 Elam , Keir . The Semiotics of Theatre and Drama p.166 6 Hughes , Ted . Shakespeare and the Goddess of Complete Being : p.278 7 Titze , Ingo R. Principles of Voice Production p.xvii 8 ibid . p.xx 9 King Lear . The ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice