Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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... example is a sequence of separate sounds which , when sequentially and sonically realized , form a completed sound entity , a sound montage . An example of this type of sound design is required by Tom Stoppard in his radio play , Artist ...
... example is a sequence of separate sounds which , when sequentially and sonically realized , form a completed sound entity , a sound montage . An example of this type of sound design is required by Tom Stoppard in his radio play , Artist ...
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... example , and for many the only example , of what is considered to be radio drama . My concern is further heightened when the only cited aural example of radio drama experienced is the BBC / Cleverdon Features production , regardless of ...
... example , and for many the only example , of what is considered to be radio drama . My concern is further heightened when the only cited aural example of radio drama experienced is the BBC / Cleverdon Features production , regardless of ...
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... example above . The visual illustration of aural distancing is constructed as follows with reference to the illustrated example following . The listener is placed in front of the stereo sound field and whether listening to the sound on ...
... example above . The visual illustration of aural distancing is constructed as follows with reference to the illustrated example following . The listener is placed in front of the stereo sound field and whether listening to the sound on ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice