Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 280
... Exit B.15 How is Kent's exit aurally achieved ? SRS Production Analysis - [ Section B : 1–15 ] There is a three second [ 00:00:03 ] silent delay between the end of the music announcing the arrival of the King and Lear's first words ...
... Exit B.15 How is Kent's exit aurally achieved ? SRS Production Analysis - [ Section B : 1–15 ] There is a three second [ 00:00:03 ] silent delay between the end of the music announcing the arrival of the King and Lear's first words ...
Seite 321
... Exit with Cordelia D.1 How is the exit aurally realized ? The short exchange between Cordelia and her sisters is one of muted acceptance of her changed fate . If anything Goneril and Regan's callous replies to Cordelia seal the now ...
... Exit with Cordelia D.1 How is the exit aurally realized ? The short exchange between Cordelia and her sisters is one of muted acceptance of her changed fate . If anything Goneril and Regan's callous replies to Cordelia seal the now ...
Seite 324
... exit aural perspective where France and Cordelia are placed on the left at mic . position 3 . Cordelia moves forward to centre mic . position 2 to speak to her sisters but it is interesting that both Goneril and Regan remain back at ...
... exit aural perspective where France and Cordelia are placed on the left at mic . position 3 . Cordelia moves forward to centre mic . position 2 to speak to her sisters but it is interesting that both Goneril and Regan remain back at ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice