Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
Ergebnisse 1-3 von 31
Seite 27
... natural outcome of an actor's training , which could be categorized into two main areas . Physical training ... natural rhythmic humour in the play . This ' cudgelling of the audience ' as he described it separated any ' natural ...
... natural outcome of an actor's training , which could be categorized into two main areas . Physical training ... natural rhythmic humour in the play . This ' cudgelling of the audience ' as he described it separated any ' natural ...
Seite 169
... natural ' , it is a form of signification which exists out there ' in the real world . Crisell suggests that ' sounds , whether in the world or on radio , are generally indexical , that is , that the sound one hears is directly linked ...
... natural ' , it is a form of signification which exists out there ' in the real world . Crisell suggests that ' sounds , whether in the world or on radio , are generally indexical , that is , that the sound one hears is directly linked ...
Seite 183
... natural beauty ' as the eighteenth - century theorist Charles Batteux expressed it , considered any form of dissonance , erratic interval leaps , and contrapuntal rhythms as an anathema to beauty . How could the tragic dissonant and ...
... natural beauty ' as the eighteenth - century theorist Charles Batteux expressed it , considered any form of dissonance , erratic interval leaps , and contrapuntal rhythms as an anathema to beauty . How could the tragic dissonant and ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
30 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice