Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 2
... performance literature . This represents a challenge to the perceived acceptance of radio drama as being a lesser art form . when compared to the other dramatic genres . The radio drama experience can be divided into three main ...
... performance literature . This represents a challenge to the perceived acceptance of radio drama as being a lesser art form . when compared to the other dramatic genres . The radio drama experience can be divided into three main ...
Seite 121
... performance exists in time and begins and finishes within a specific time frame , its psychologically affective resonance continues to exist in the listener's reproductive imagination as memories where time boundaries evaporate . This ...
... performance exists in time and begins and finishes within a specific time frame , its psychologically affective resonance continues to exist in the listener's reproductive imagination as memories where time boundaries evaporate . This ...
Seite 198
... performance elements that are both interactive and interdependent parts of the production process . This fluctuating combination of production and performance elements forms the completed sound the listener hears as the radio play ...
... performance elements that are both interactive and interdependent parts of the production process . This fluctuating combination of production and performance elements forms the completed sound the listener hears as the radio play ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice