Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 145
... pitch . Scientific tape analysis showed that ' she reduced her pitch by 46 Hz , almost half the average difference between male and female voices . She also slowed down a bit , as we tend to reduce word speed when we lower pitch in talk ...
... pitch . Scientific tape analysis showed that ' she reduced her pitch by 46 Hz , almost half the average difference between male and female voices . She also slowed down a bit , as we tend to reduce word speed when we lower pitch in talk ...
Seite 146
... pitch , inflection , emphasis , phrasing , breathing , tempo , accent and the voluntary restriction or relaxation of the vocal folds . Electronic measurement of the acoustic signal has become one of the major ways of measuring voice and ...
... pitch , inflection , emphasis , phrasing , breathing , tempo , accent and the voluntary restriction or relaxation of the vocal folds . Electronic measurement of the acoustic signal has become one of the major ways of measuring voice and ...
Seite 257
... pitch combined with tempo of delivery . Taking the male voice range as an example , if the modal voice is a lower pitch ( bass / tenor ) combined with a slow to moderate tempo of delivery ( including phraseology , pause and hesitancy ) ...
... pitch combined with tempo of delivery . Taking the male voice range as an example , if the modal voice is a lower pitch ( bass / tenor ) combined with a slow to moderate tempo of delivery ( including phraseology , pause and hesitancy ) ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice