Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
Ergebnisse 1-3 von 39
Seite 42
... programme's failure to be competitive was simply the loss of sponsorship ; and without a sponsor , frequently a programme just disappeared , no matter what its positive qualities . By 1932 , musical programmes were being replaced in the ...
... programme's failure to be competitive was simply the loss of sponsorship ; and without a sponsor , frequently a programme just disappeared , no matter what its positive qualities . By 1932 , musical programmes were being replaced in the ...
Seite 179
... programme music ' as represented by the desired effect . Maintaining this broad definition , music can therefore fluctuate between two categories of consciousness ; ( i ) ' pure music ' , that is , music which is composed , arranged and ...
... programme music ' as represented by the desired effect . Maintaining this broad definition , music can therefore fluctuate between two categories of consciousness ; ( i ) ' pure music ' , that is , music which is composed , arranged and ...
Seite 181
... programme content ( that is , new or original music composed to illustrate a particular event , dramatic tension , mood , character etc ) ; ( ii ) programme music which is further transcodified for a different illustrative purpose than ...
... programme content ( that is , new or original music composed to illustrate a particular event , dramatic tension , mood , character etc ) ; ( ii ) programme music which is further transcodified for a different illustrative purpose than ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice