Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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Seite 17
... radio drama policy to include possibly some level of Arts Council involvement is timely . The radio play has , and continues to be , an important if a much neglected part of our literary heritage . Yet , there is a fundamental ...
... radio drama policy to include possibly some level of Arts Council involvement is timely . The radio play has , and continues to be , an important if a much neglected part of our literary heritage . Yet , there is a fundamental ...
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... radio - drama , Danger by Richard Hughes , was written and broadcast live in 1923. It was devised more as a radiophonic experiment featuring three miners facing a crisis in a Welsh coal - mine , and although the play ... radio , echoing the ...
... radio - drama , Danger by Richard Hughes , was written and broadcast live in 1923. It was devised more as a radiophonic experiment featuring three miners facing a crisis in a Welsh coal - mine , and although the play ... radio , echoing the ...
Seite 219
... play for voices . All That Fall is a specifically radio play , or rather , radio text , for voices , not bodies . I have already refused to have it ' staged ' and I ... radio drama does not belong to a Text / Script | Aural Literature 219.
... play for voices . All That Fall is a specifically radio play , or rather , radio text , for voices , not bodies . I have already refused to have it ' staged ' and I ... radio drama does not belong to a Text / Script | Aural Literature 219.
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice