Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
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... seconds . And : 08:02:16 means eight hours , two minutes , sixteen seconds . The War of the Worlds : Radio script by Howard Koch TX Time : 08:00:00 CUE : SIGNATURE MUSIC [ 30 seconds ] ANNOUNCER : CUE : ANNOUNCER : WELLES : 08:00:35 ...
... seconds . And : 08:02:16 means eight hours , two minutes , sixteen seconds . The War of the Worlds : Radio script by Howard Koch TX Time : 08:00:00 CUE : SIGNATURE MUSIC [ 30 seconds ] ANNOUNCER : CUE : ANNOUNCER : WELLES : 08:00:35 ...
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... seconds Long 6 - 12 seconds Illustration of a cross - fade using a variable time frame . Scene 1 [ exterior ] 100 Vol . % 50 Scene 2 [ interior ] TIME [ 5 - 10 seconds ] There are variations in the technical operation of fades , for ...
... seconds Long 6 - 12 seconds Illustration of a cross - fade using a variable time frame . Scene 1 [ exterior ] 100 Vol . % 50 Scene 2 [ interior ] TIME [ 5 - 10 seconds ] There are variations in the technical operation of fades , for ...
Seite 237
... seconds [ 00:00:46 ] in total but is faded down at fourteen seconds [ 00:00:14 ] to facilitate a verbal introduction to the play ( title , author and main cast ) . It is faded up again at twenty - seven seconds [ 00:00:27 ] where the ...
... seconds [ 00:00:46 ] in total but is faded down at fourteen seconds [ 00:00:14 ] to facilitate a verbal introduction to the play ( title , author and main cast ) . It is faded up again at twenty - seven seconds [ 00:00:27 ] where the ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice