Theatre of Sound: Radio and the Dramatic ImaginationCarysfort Press, 2002 - 383 Seiten Cave, University of London. This is an innovative study of the challenges that radio drama poses to the creative imagination of the writer, the production team, and the listener. It explores the versatile sense of sound and especially music and how it can be effectively used in a radio play, as well as audience reception and storytelling, and include detailed analyses of radio productions, including War of the Worlds, Under Milk Wood, and Krapp's Last Tape, and an extensive analysis of four different radio productions of King Lear. |
Im Buch
Ergebnisse 1-3 von 49
Seite 126
... Spoken language Number skills Scientific skills Reasoning Right hand control Art awareness Music awareness 3 - D forms Imagination . Insight Left hand control Radio drama , functioning exclusively as an aural literature , consistently ...
... Spoken language Number skills Scientific skills Reasoning Right hand control Art awareness Music awareness 3 - D forms Imagination . Insight Left hand control Radio drama , functioning exclusively as an aural literature , consistently ...
Seite 160
... [ spoken - index of character ] | [ hears - meaning as a - B ] SUBJECT " implied ' objective OBJECT Crisell states that ' spoken - words constitute a binary code in which the words themselves are symbols of what they represent , while the ...
... [ spoken - index of character ] | [ hears - meaning as a - B ] SUBJECT " implied ' objective OBJECT Crisell states that ' spoken - words constitute a binary code in which the words themselves are symbols of what they represent , while the ...
Seite 253
... spoken provides an important aural bridge into the production for the listener . Firstly , it allows for smooth transition ( cross - fade ) of the prelude music into this imaginary sonic space before words are spoken . This can create ...
... spoken provides an important aural bridge into the production for the listener . Firstly , it allows for smooth transition ( cross - fade ) of the prelude music into this imaginary sonic space before words are spoken . This can create ...
Inhalt
Introduction What is a Radio Play | 1 |
Whos Listening? Some statistics | 11 |
The Birth of a Genre | 21 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accepted acoustic action actor adaptation analysis approach audience aural becomes beginning believe broadcast Burgundy centre character close combined complete composed considered context Cordelia creates critical delivery distance effect elements emotional example exist exit expressed fades footsteps France function gives Gloucester Goneril hear heard human identifiable imagination important individual interesting Kent King Lear language Lear's listener live Lord Love meaning medium microphone Milk Wood mind movement moving natural object opening particularly pause perception performance phrase physical piece pitch placed position prelude present production programme radio drama radio play radiophonic realized recording referred Regan remains scene seconds sense signifying silence similar slow sonic sound space speak speech spoken stage structure studio tape television tempo theatre Thomas thought timpani verbal visual vocal voice