...often-quoted passage in his ' Ten o'clock ' with a sympathy not due to the words alone : ' And when evening mist clothes the river-side with poetry, as...themselves in the dim sky, and the tall chimneys become canpanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and...

...Whistler has supplemented the record of his impression with the brush by this record with the pen : " And when the evening mist clothes the riverside with poetry,...tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairyland is before us — then...

...as the Infanta's hoops to Velasquez. He discloses the city at a time, to use his own perfect words, "when the evening mist clothes the riverside with...buildings lose themselves in the dim sky, and the warehouses are palaces in the dusk, and the whole city hangs in the heavens." Because these delicate...

...subjects can be as noble as the other, as Whistler proved, when he showed for the first time how in London "the poor buildings lose themselves in the dim sky, and the tall chimneys become campanile, and the warehouses are palaces in the night, and the whole city hangs in the heavens and...

...sake of seeing, is, with the mass, alone the one to be gratified, hence the delight in detail. And when the evening mist clothes the riverside with poetry,...themselves in the dim sky, and the tall chimneys become companili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and...

...beneath a veil of shadow. Here is what a painter of to-day has said about nightfall on the Thames : ' And when the evening mist clothes the riverside with poetry,...tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairyland is before us — then...

...buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairvlaml is before us — then the wayfarer hastens home ; the working man and the cultured one, the...

...which we thank him, though it has been produced in defiance of his own code of artistic ethics : ' When the evening mist clothes the river-side with...tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairyland is before us — then...

...landscape is cited as an example of the inartistic character of prosaic delineation of nature. " And when the evening mist clothes the riverside with poetry,...tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairyland is before us — then...

...the sake of seeing, is, with the mass, alone the one to be gratified, hence the delight in detail And when the evening mist clothes the riverside with poetry,...tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us —...