Discourse, Band 32,Ausgabe 22010 |
Im Buch
Ergebnisse 1-3 von 14
Seite 165
... CREMASTER 4 ( 1994 ) , CRE- MASTER 1 ( 1995 ) , CREMASTER 5 ( 1997 ) , CREMASTER 2 ( 1999 ) , and CREMASTER 3 ( 2002 ) . 2 This phrase may remind us of Gilles Deleuze and Felix Guattari's description of desire : The question posed by ...
... CREMASTER 4 ( 1994 ) , CRE- MASTER 1 ( 1995 ) , CREMASTER 5 ( 1997 ) , CREMASTER 2 ( 1999 ) , and CREMASTER 3 ( 2002 ) . 2 This phrase may remind us of Gilles Deleuze and Felix Guattari's description of desire : The question posed by ...
Seite 166
... CREMASTER Cycle ( New York : Guggen- heim Museum , 2002 ) , 46. Although we may rely heavily on Spector's research for such details , this information would otherwise be unavailable to us . A great deal of Spector's research is derived ...
... CREMASTER Cycle ( New York : Guggen- heim Museum , 2002 ) , 46. Although we may rely heavily on Spector's research for such details , this information would otherwise be unavailable to us . A great deal of Spector's research is derived ...
Seite 167
9 See Norman Bryson's comment on the body as malleable in CREMASTER 4 and CREMASTER 1. Speaking of sports and medicine , he states , " Each of these defines the body as a field to be modified and redesigned , acted upon so as to sur ...
9 See Norman Bryson's comment on the body as malleable in CREMASTER 4 and CREMASTER 1. Speaking of sports and medicine , he states , " Each of these defines the body as a field to be modified and redesigned , acted upon so as to sur ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York