Discourse, Band 32,Ausgabe 22010 |
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Seite 153
... City . being carried through an elaborate series of art deco , shiny , heav- ily paneled staircases that lead her into the lobby of the Chrysler Building in New York City . What such a summary cannot convey is the mechanics of this ...
... City . being carried through an elaborate series of art deco , shiny , heav- ily paneled staircases that lead her into the lobby of the Chrysler Building in New York City . What such a summary cannot convey is the mechanics of this ...
Seite 172
... City . It combined the exotic , in the form of the " national , " with the familiar or transnational in the form of a popular and easily recognizable set of cinematic practices . ( In fact , many critics have identified Amores Perros as ...
... City . It combined the exotic , in the form of the " national , " with the familiar or transnational in the form of a popular and easily recognizable set of cinematic practices . ( In fact , many critics have identified Amores Perros as ...
Seite 206
... City ( Chicago : Museum of Contemporary Art and University of Illinois Press , 2003 ) , 24-25 . 8 Jennifer González " The Face and the Public : Race , Secrecy , and Digital Art Practice , " Camera Obscura 70 , vol . 24 , no . 1 ( 2009 ) ...
... City ( Chicago : Museum of Contemporary Art and University of Illinois Press , 2003 ) , 24-25 . 8 Jennifer González " The Face and the Public : Race , Secrecy , and Digital Art Practice , " Camera Obscura 70 , vol . 24 , no . 1 ( 2009 ) ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York