Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 219
... Waste Land , for example , can be connected to the various visual intertexts that give symbolic depth to Children of Men : in their different ways , Michel- angelo's La Pietà , Picasso's Guernica , and the childless mothers who weep for ...
... Waste Land , for example , can be connected to the various visual intertexts that give symbolic depth to Children of Men : in their different ways , Michel- angelo's La Pietà , Picasso's Guernica , and the childless mothers who weep for ...
Seite 220
... waste land waiting for the voice of a new vision.30 As an oblique adaptation of The Waste Land , Children of Men adopts similar representational strategies , at once fusing the real and the aesthetic as key components of its critique of ...
... waste land waiting for the voice of a new vision.30 As an oblique adaptation of The Waste Land , Children of Men adopts similar representational strategies , at once fusing the real and the aesthetic as key components of its critique of ...
Seite 229
... Waste Land , tradition is never a stable foundation for cultural consensus ; it is merely an assort- ment of allusions , a cultural aggregate that does not cohere but shifts suddenly with each new perspective . Set against this ...
... Waste Land , tradition is never a stable foundation for cultural consensus ; it is merely an assort- ment of allusions , a cultural aggregate that does not cohere but shifts suddenly with each new perspective . Set against this ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York