Discourse, Band 32,Ausgabe 22010 |
Im Buch
Ergebnisse 1-3 von 15
Seite 165
... begins to signify ? " 24 It might be , then , that material's erratic sign , lining cinema's narrative , would ... begin to see objects enfolded in a queer , queering matrix even as they are violently , always , and , of course , already ...
... begins to signify ? " 24 It might be , then , that material's erratic sign , lining cinema's narrative , would ... begin to see objects enfolded in a queer , queering matrix even as they are violently , always , and , of course , already ...
Seite 221
... begin their narrative trajectories insulated from the economic , social , and political blight that surrounds them ... begins to increase , the camera slows down , allowing the protagonists to move away while it pauses to contemplate a ...
... begin their narrative trajectories insulated from the economic , social , and political blight that surrounds them ... begins to increase , the camera slows down , allowing the protagonists to move away while it pauses to contemplate a ...
Seite 252
... begins to behave like Cruz , losing his temper and brutally beating up those who incited Cruz . At the same time , Cruz breaks all ties with Silvano and Bibiana , declaring both of them dead . Cruz begins to wear nothing but black ...
... begins to behave like Cruz , losing his temper and brutally beating up those who incited Cruz . At the same time , Cruz breaks all ties with Silvano and Bibiana , declaring both of them dead . Cruz begins to wear nothing but black ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York