Discourse, Band 32,Ausgabe 22010 |
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Seite 175
... cinema , symbolic violence is culturally specific and thus its allegorical meanings are accessible only to particularly situated audiences.12 As Robert Stam and Ismail Xavier put it , filmic allegories func- tion to " encode cultural ...
... cinema , symbolic violence is culturally specific and thus its allegorical meanings are accessible only to particularly situated audiences.12 As Robert Stam and Ismail Xavier put it , filmic allegories func- tion to " encode cultural ...
Seite 176
... cinema ” in the particular case of Mexican cinema . " This other cinema can be identified primarily by a set of cinematic practices that evidence a concern with par- ticular narrativizations and representations of women's everyday ...
... cinema ” in the particular case of Mexican cinema . " This other cinema can be identified primarily by a set of cinematic practices that evidence a concern with par- ticular narrativizations and representations of women's everyday ...
Seite 184
... cinema/perfume-de-violeta . 8 Henry A. Giroux , “ Racism and the Aesthetic of Hyper - real Violence : Pulp Fic- tion ... Cinema from Dictatorship to Redemocratization , " in New Latin American Cinema [ Detroit : Wayne State University ...
... cinema/perfume-de-violeta . 8 Henry A. Giroux , “ Racism and the Aesthetic of Hyper - real Violence : Pulp Fic- tion ... Cinema from Dictatorship to Redemocratization , " in New Latin American Cinema [ Detroit : Wayne State University ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York