Discourse, Band 32,Ausgabe 22010 |
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Seite 175
... context of the global film - producing machine is being critically interrogated , I argue that we need to retain the specificity of national cinema in order to identify the way in which national and diasporic audiences engage with films ...
... context of the global film - producing machine is being critically interrogated , I argue that we need to retain the specificity of national cinema in order to identify the way in which national and diasporic audiences engage with films ...
Seite 239
... context in which it first appeared . A theme that recurs throughout Wimal Dissanayake's anthol- ogy on Asian melodrama is the anxiety to extrapolate Western melodrama theory to the study of films produced in a context where an ...
... context in which it first appeared . A theme that recurs throughout Wimal Dissanayake's anthol- ogy on Asian melodrama is the anxiety to extrapolate Western melodrama theory to the study of films produced in a context where an ...
Seite 241
... context . This solution simply points to the actual problem : Brooks's conception of the melodramatic mode is tied to the his- torical context in which he argues that the mode first appeared . If melodrama may operate without the ...
... context . This solution simply points to the actual problem : Brooks's conception of the melodramatic mode is tied to the his- torical context in which he argues that the mode first appeared . If melodrama may operate without the ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York