Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 183
... produced through narrative and other cinematic practices such as editing , composition , and the design of the mise ... produced a number of films while studying filmmaking at the Centro Universitario de Estudios Cinematográficos ( CUEC ) ...
... produced through narrative and other cinematic practices such as editing , composition , and the design of the mise ... produced a number of films while studying filmmaking at the Centro Universitario de Estudios Cinematográficos ( CUEC ) ...
Seite 194
... produce self - identity . Its concern is not with utopia but with the self , imagined as a coherent entity whose self ... produced by an internal limit is part of contemporary thinking and helps determine the construc- tion of recent ...
... produce self - identity . Its concern is not with utopia but with the self , imagined as a coherent entity whose self ... produced by an internal limit is part of contemporary thinking and helps determine the construc- tion of recent ...
Seite 198
... produced in the works that always differ from one another and that produce that difference in producing and reproducing themselves over time ; they also insist on the pleni- tude of space , that space is never empty - without in the ...
... produced in the works that always differ from one another and that produce that difference in producing and reproducing themselves over time ; they also insist on the pleni- tude of space , that space is never empty - without in the ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York