Discourse, Band 32,Ausgabe 22010 |
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Seite 192
... represents Ernst's mother , Freud's daughter Sophia , who leaves the child , but it also represents the child him- self ; Ernst's repetition of loss exceeds the mastery of the return and suggests that there is something beyond the ...
... represents Ernst's mother , Freud's daughter Sophia , who leaves the child , but it also represents the child him- self ; Ernst's repetition of loss exceeds the mastery of the return and suggests that there is something beyond the ...
Seite 227
... represents a closed , finite space in which the future of humanity depends on an unmarried young black immigrant woman , Kee , who bears the first child in eighteen years . As an optimistic anti- dote for the inflammatory anti ...
... represents a closed , finite space in which the future of humanity depends on an unmarried young black immigrant woman , Kee , who bears the first child in eighteen years . As an optimistic anti- dote for the inflammatory anti ...
Seite 229
... representing that crucial connection between the ethical and the aesthetic . Whereas a wide range of critics academic ... represents within its richly allusive poetic form itself " the complexity and dissonance of competing value claims ...
... representing that crucial connection between the ethical and the aesthetic . Whereas a wide range of critics academic ... represents within its richly allusive poetic form itself " the complexity and dissonance of competing value claims ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York