Discourse, Band 32,Ausgabe 22010 |
Im Buch
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Seite 153
... , or the point of view is omniscient and anonymous , and the sequence is largely composed of fairly static , considerably long , master shots . Of course , master shots can also be termed establishing shots. Queered Cinema 153.
... , or the point of view is omniscient and anonymous , and the sequence is largely composed of fairly static , considerably long , master shots . Of course , master shots can also be termed establishing shots. Queered Cinema 153.
Seite 154
course , master shots can also be termed establishing shots ; and yet Bar- ney's shots — a cavernous basement , a faraway figure in the cavern , a dirtscape with finely observed texture - occurring haphazardly throughout the scene , don ...
course , master shots can also be termed establishing shots ; and yet Bar- ney's shots — a cavernous basement , a faraway figure in the cavern , a dirtscape with finely observed texture - occurring haphazardly throughout the scene , don ...
Seite 160
... shots here : two vertical ones of the faces of the maître d ' and of Matthew Barney . This is presumably because these characters stand face to face , although this seems far from the standard shot - reverse shot composition to which we ...
... shots here : two vertical ones of the faces of the maître d ' and of Matthew Barney . This is presumably because these characters stand face to face , although this seems far from the standard shot - reverse shot composition to which we ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York