Discourse, Band 32,Ausgabe 22010 |
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Seite 187
... space of the Internet is viewed as a potentially progressive domain for overcoming barriers that otherwise obstruct or restrict ideal forms of participation in the public sphere . " Even the Marx- ist reading of the virtual age offered ...
... space of the Internet is viewed as a potentially progressive domain for overcoming barriers that otherwise obstruct or restrict ideal forms of participation in the public sphere . " Even the Marx- ist reading of the virtual age offered ...
Seite 195
... space , they make it visible as space itself : the work is in part about the filling of space , for eventually , in prin- ciple , there would be only objects in this space , even when dark shadings compete with additional light ...
... space , they make it visible as space itself : the work is in part about the filling of space , for eventually , in prin- ciple , there would be only objects in this space , even when dark shadings compete with additional light ...
Seite 198
space and produce more and more of these structures , which over- write each other and the space of the work ( figure 4 ) . Watching the logic of this work repeat itself in variations shows how much room there is within a limit . Every ...
space and produce more and more of these structures , which over- write each other and the space of the work ( figure 4 ) . Watching the logic of this work repeat itself in variations shows how much room there is within a limit . Every ...
Inhalt
Womens Cinema and Contemporary Allegories of Violence | 170 |
Utopian Architecture | 186 |
Ethics Aesthetics and the Future in Alfonso Cuaróns Children | 212 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Alfonso Cuarón American Amores Perros argues Asian audiences Barney's Benthien body Brooks camera characters Children Children of Men contemporary context CREMASTER critical critique Cruz Cruz's Cuarón's cultural Deleuze Derrida digital art digital image Discourse dramatic dystopian Eliot's essay ethical experience figure film film's filmic Foucault Freud function Gary Gilmore Gilles Deleuze Giroux Gledhill global Hansen historical huella and Perfume human Ibid ideas identity Imagination internal limit Iwamura Kwai Chang Caine maître d Matthew Barney Mavor melo melodrama melodramatic mode Mexican Mexico modern moral mother narrative objects Oriental Monk Perfume de Violeta political postmodern problem produced Prosthetic Head queer quotation rape reality Reas representation Sade Sade's scene screen shots Silvano Sin dejar huella Slavoj Žižek social sociopolitical space specific spiritual Stelarc Stella Dallas suffering symbolic Theo theory tion touch trans Transgression University Press utopia viewer virtual virtue and evil visual Waste Land Yessica York