Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... begins his drama of emergent royalty - which might be titled " The Prodigal Prince and the Reformed King " -with a ... begin their swordplay . Falstaff then enters and dances fiercely about the far fringes of the fray crying " Well said ...
... begins his drama of emergent royalty - which might be titled " The Prodigal Prince and the Reformed King " -with a ... begin their swordplay . Falstaff then enters and dances fiercely about the far fringes of the fray crying " Well said ...
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... begin to throw Pompey the Great , and all his dignities Upon his son , who high in name and power , Higher than both ... begins . to grow into the borrowed robes of his father's fame , perhaps because the memory of the heroes of the past ...
... begin to throw Pompey the Great , and all his dignities Upon his son , who high in name and power , Higher than both ... begins . to grow into the borrowed robes of his father's fame , perhaps because the memory of the heroes of the past ...
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... begins as the Frenchman recollects that Posthumus had once nearly risked his life affirming " his to be more fair , virtuous , wise , chaste , constant - qualified and less attemptable than any the rarest of our ladies in France " ( I ...
... begins as the Frenchman recollects that Posthumus had once nearly risked his life affirming " his to be more fair , virtuous , wise , chaste , constant - qualified and less attemptable than any the rarest of our ladies in France " ( I ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York