Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... effect that the emperor of mimetic drama has no clothes on- the two dimensions of Henry IV are in open antago- nism , threatening to split the play irrevocably . Who knows , an aroused Falstaff might walk right on out of the play and ...
... effect that the emperor of mimetic drama has no clothes on- the two dimensions of Henry IV are in open antago- nism , threatening to split the play irrevocably . Who knows , an aroused Falstaff might walk right on out of the play and ...
Seite 209
... effect " ( I. vi . 42-43 ) most unlike fairy - tale witches . Her real strength over Cymbeline comes from that natural British vigor . Her real strength over Imogen is that symbolically she carries out what Cymbeline desires , for it is ...
... effect " ( I. vi . 42-43 ) most unlike fairy - tale witches . Her real strength over Cymbeline comes from that natural British vigor . Her real strength over Imogen is that symbolically she carries out what Cymbeline desires , for it is ...
Seite 323
... effect , they will break their hearts but they will effect . ( II.ii.302-8 ) His transition from " she " to " they , " from " may effect " to " will effect , " shows an irrational fear of women as " they . " The same irrationality and ...
... effect , they will break their hearts but they will effect . ( II.ii.302-8 ) His transition from " she " to " they , " from " may effect " to " will effect , " shows an irrational fear of women as " they . " The same irrationality and ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York