Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 92
... interpret what others say and do , we are left confused as to what interpretation Shakespeare wished us to place upon Antony's death , and we are even more puzzled about Cleopatra's . We sorely miss the careful soliloquies and asides of ...
... interpret what others say and do , we are left confused as to what interpretation Shakespeare wished us to place upon Antony's death , and we are even more puzzled about Cleopatra's . We sorely miss the careful soliloquies and asides of ...
Seite 94
... interpretation of the play ; they appear to rest their interpretation on the supposedly objective data of the poetic texture . But the moral bias nonetheless comes through , whether in Knight's praise of the love or Danby's condemnation ...
... interpretation of the play ; they appear to rest their interpretation on the supposedly objective data of the poetic texture . But the moral bias nonetheless comes through , whether in Knight's praise of the love or Danby's condemnation ...
Seite 238
... interpretation have also been undermined and shown as possibly fictitious . What I hope to show , then , is how fictions and the interpre- tation of fictions relate to the political and domestic discord recorded in the play ...
... interpretation have also been undermined and shown as possibly fictitious . What I hope to show , then , is how fictions and the interpre- tation of fictions relate to the political and domestic discord recorded in the play ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York