Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 54
... says , is the " only " witchcraft he has used , but to say this is very pointedly not to deny that oratory is a form of witchcraft - a witchcraft that can turn " a thing " like Othello a middle - aged Ethiopian mercenary and outsider ...
... says , is the " only " witchcraft he has used , but to say this is very pointedly not to deny that oratory is a form of witchcraft - a witchcraft that can turn " a thing " like Othello a middle - aged Ethiopian mercenary and outsider ...
Seite 56
... says it ) that words are ambiguous , that " lie on " can mean " belie " , and that it could be " words " that " shake " him ; on the other hand he not only fails to act on that knowledge , he fails seemingly even to grasp it . One could say ...
... says it ) that words are ambiguous , that " lie on " can mean " belie " , and that it could be " words " that " shake " him ; on the other hand he not only fails to act on that knowledge , he fails seemingly even to grasp it . One could say ...
Seite 132
... says and when he says it are more dramatically significant than whether or not his speeches are either consistent or psychologically believable . He speaks almost omnisciently when he tells us that " men's judgements are / A parcel of ...
... says and when he says it are more dramatically significant than whether or not his speeches are either consistent or psychologically believable . He speaks almost omnisciently when he tells us that " men's judgements are / A parcel of ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York