Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 311
... wife , and after each of the first two escapades - there are three altogether in each tale , as with Falstaff - the lover unwittingly relates to the husband how the wife had hidden him or spirited him away in the nick of time . Although ...
... wife , and after each of the first two escapades - there are three altogether in each tale , as with Falstaff - the lover unwittingly relates to the husband how the wife had hidden him or spirited him away in the nick of time . Although ...
Seite 322
... wife . The acceptability of wife - beating is clear when , in the course of tricking Falstaff yet again , Mrs. Quickly mollifies his anger at having been beaten by telling him that the wives have also suffered , " speciously one of them ...
... wife . The acceptability of wife - beating is clear when , in the course of tricking Falstaff yet again , Mrs. Quickly mollifies his anger at having been beaten by telling him that the wives have also suffered , " speciously one of them ...
Seite 323
... wife . He nurses plans for revenge against his enemy as a means of triumphing over his friend : " I will prevent this , detect my wife , be reveng'd on Falstaff , and laugh at Page " ( II.ii. 310-11 ) . The climactic item in the series ...
... wife . He nurses plans for revenge against his enemy as a means of triumphing over his friend : " I will prevent this , detect my wife , be reveng'd on Falstaff , and laugh at Page " ( II.ii. 310-11 ) . The climactic item in the series ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York