AUTOBIOGRAPHY

[BLACKWOOD'S MAGAZINE, SEPTEMBER 1849]

AUTOBIOGRAPHY, when skilfully and judiciously done, is one of the most delightful species of composition of which literature can boast. There is a strong desire in every intelligent and well-informed mind to become familiar with the private thoughts, and secret motives of action, of those who have filled the world with their renown. We long to learn their early history, to be made acquainted with their first aspirations, to discover how they became so great as they afterwards turned out. Perhaps literature has sustained no greater loss than that of the memoirs which Hannibal wrote of his life and campaigns. From the few fragments of his sayings which Roman admiration or terror has preserved, his reach of thought and statesmanlike sagacity would appear to have been equal to his military talents. Cæsar's Commentaries have always been admired; but there is some doubts whether they really were written by the dictator; and, supposing they were, they relate almost entirely to military movements and public events, without giving much insight into private character. It is that which we desire in autobiography: we hope to find in it a window by which we may look into a great man's mind. Plutarch's Lives owe their vast and enduring popularity to the insight into private character which the innumerable anecdotes he has collected of the heroes and statesmen of antiquity afford; and the lasting reputation of Boswell's Johnson is mainly to be ascribed to the same cause.

Mémoires d'Outre Tombe. Par M. le VICOMTE DE CHATEAUBRIAND. 4 vols. Paris: 1846-9.

Raphael. Par M. DE LAMARTINE.

VOL. III.

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Gibbon's autobiography is the most perfect account of an eminent man's life, from his own hand, which exists in any language. Independent of the interest which naturally belongs to it as the record of the studies, and the picture of the growth of the mind of the greatest historian of modern times, it possesses a peculiar charm from the simplicity with which it is written, and the judgment it displays, conspicuous alike in what is revealed and what is withheld in the narrative. It steers the middle channel so difficult to find, so invaluable when found, between ridiculous vanity on the one side, and affected modesty on the other. We see, from many passages in it, that the author was fully aware of the vast contribution he had made to literature, and the firm basis on which he had built his colossal fame. But he had good sense enough to see that those great qualities were never so likely to impress the reader, as when only cautiously alluded to by the author. He knew that vanity and ostentation never fail to make the character in which they predominate ridiculous-if excessive, contemptible; and that, although the world would thankfully receive all the details, how minute soever, connected with his immortal work, they would not take off his hands any symptom of himself entertaining the opinion of it which all others have formed. It is the consummate judgment with which Gibbon has given enough of the details connected with the preparation of his works to be interesting, and not enough to be ridiculous, which constitutes the great charm, and has occasioned the marked success, of his autobiography. There are few passages in the English language so popular as the well-known ones in which he has recounted the first conception and final completion of his history, which, as models of the kind, as well as passages of exquisite beauty, we cannot refuse ourselves the pleasure of transcribing, the more especially as they will set off, by way of contrast, the faults in some parallel passages attempted by Chateaubriand and

Lamartine.

"At the distance of twenty-five years, I can neither forget nor express the strong emotions which agitated my mind as I first approached and entered the Eternal City. After a sleepless night, I trod with a lofty step the ruins of the Forum. Each memorable spot-where Romulus stood, or Tully spoke, or Cæsar fell-was at once present to my eyes; and several days of intoxication were lost, or enjoyed, before I could descend to a cool and minute investigation. It was at Rome, on the 15th October 1764, as

I sat musing amidst the ruins of the Capitol, while the barefooted friars were singing vespers in the Temple of Jupiter, that the idea of writing this Decline and Fall of the city first started to my mind. But my original plan was circumscribed to the decay of the city, rather than of the empire; and though my reading and reflections began to point towards that object, some years elapsed, and several avocations intervened, before I was seriously engaged in the execution of that laborious work."-Life, p. 198, 8vo edition.

Again, the well-known description of the conclusion of his labours :

"I have presumed to mark the moment of conception: I shall now commemorate the hour of my final deliverance. It was on the day, or rather night, of the 27th June 1787, between the hours of eleven and twelve, that I wrote the last lines of the last page, in a summer-house in my garden. After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent. I will not dissemble the first emotions of joy on recovery of my freedom, and perhaps the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind, by the idea that I had taken an everlasting leave of an old and agreeable companion; and that, whatever might be the future fate of my History, the life of the historian must be short and precarious."-Life, p. 255, 8vo edition.

Hume's account of his own life is a model of perspicuity, modesty, and good sense; but it is so brief that it scarcely can be called a biography. It is not fifty pages long. The wary Scotch author was well aware how vanity in such compositions defeats its own object: he had too much. good sense to let it appear in his pages. Perhaps, however, the existence of such a feeling in the recesses of his breast may be detected in the prominent manner in which he brings forward the discouragement he experienced when the first volume of his History was published, and the extremely limited sale it met with for some time after its first appearance. He knew well how these humble beginnings would be contrasted with its subsequent triumphant success. Amidst his many great and good qualities, there is none for which Sir Walter Scott was more admirable than the unaffected simplicity and good sense of his character, which led him to continue through life utterly unspotted by vanity, and unchanged by an amount of adulation from the most fascinating quarters, which would probably have turned the head of any other man. Among the many causes of regret which the world has for the

catastrophes which overshadowed his latter years, it is not the least that it prevented the completion of that autobiography with which Mr Lockhart has commenced his Life. His simplicity of character, and the vast number of eminent men with whom he was intimate, as well as the merit of that fragment itself, leave no room for doubt that he would have made a most charming memoir, if he had lived to complete it. This observation does not detract in the slightest degree from the credit justly due to Mr Lockhart, for his admirable Life of his illustrious fatherin-law on the contrary, it forms its highest encomium. The charm of that work is mainly owing to its being so imbued with the spirit of the subject, that it may almost be regarded as an autobiography.

Continental writers of note have, more than English ones, fallen into that error which is of all others the most fatal in autobiography-inordinate vanity. At the head of all the delinquents of this class we must place Rousseau, whose celebrated Confessions contain a revelation of folly so extreme, vanity so excessive, and baseness so disgraceful, that it would pass for incredible if not proved by the book itself, which is to be found in every library. Not content with affirming, when past fifty, that there was no woman of fashion of whom he might not have made the conquest if he had chosen to set about it, he thought fit to entertain the world with all the private details of his life, which the greater prudence of his most indiscreet biographers would have consigned to oblivion. No one who wishes to discredit the Genevese philosopher, need seek in the works of others for the grounds of doing so. Enough is to be found in his own to consign him to eternal execration and contempt. He has told us equally in detail, and with the same air of infantine simplicity, how he committed a theft when in service as a lackey, and permitted an innocent girl, his fellow-servant, to bear the penalty of it; how he alternately drank the wine in his master's cellars, and made love to his wife; how he corrupted one female benefactress who had sheltered him in extremity of want, and afterwards made a boast of her disgrace; and abandoned a

"Il y a peu des femmes, même dans le haut rang, dont je n'eusse fait la conquête si je l'avais enterprise."-Biographie Universelle, xxxix. 136.

male benefactor who fell down in a fit of apoplexy on the streets of Lyons, and left him lying on the pavement, deserted by the only friend whom he had in the world. The author of so many eloquent declamations against mothers neglecting their children, on his own admission, when in easy circumstances, and impelled by no necessity, consigned five of his natural children to a foundling hospital, with such precautions against their being known that he never did or could hear of them again! Such was his vanity, that he thought the world would gladly feed on the crumbs of this sort which fell from the table of the man rich in genius. His grand theory was, that the human mind is born innocent, with dispositions only to good, and that all the evils of society arise from the follies of education or the oppression of Government. Judging from the picture he has presented of himself, albeit debased by no education but what he himself had afforded, we should say his disposition was more corrupt than has ever been imagined by the most dark-minded and bigoted Calvinist that ever existed.

Alfieri was probably as vain in reality as Rousseau; but he knew better how to conceal it. He had not the folly of supposing that he could entertain women by the boastful detail of his conquests over them. He judged wisely, and more like a man who had met with bonnes fortunes, that he would attain more effectually the object of interesting their feelings, by painting their conquests over him. He has done this so fully, so sincerely, and with such eloquence, that he has made one of the most powerful pieces of biography in any language. Its charm consists in the picture he has drawn, with equal truth and art, of a man of the most impetuous and ardent temperament, alternately impelled by the strongest passions which can agitate the breast love and ambition. Born of a noble family, inheriting a great fortune, he exhibited an uncommon combination of patrician tastes and feelings with republican principles and aspirations. He was a democrat because he knew the great by whom he was surrounded, and did not know the humble who were removed to a distance. He said this himself, after witnessing at Paris the horrors of the 10th August:-" Je connais bien les grands, mais je ne