The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
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Seite 42
... audience to give him feedback . Many performers prefer a studio audience to help them adjust , but the desired effect may not be achieved if the performer succeeds in appealing to the more particu- lar tastes of the studio audience and ...
... audience to give him feedback . Many performers prefer a studio audience to help them adjust , but the desired effect may not be achieved if the performer succeeds in appealing to the more particu- lar tastes of the studio audience and ...
Seite 104
... audience may react . When the poem " Sea Fever " by John Masefield is used as the stimulus , the sensory images created in the audience may show considerable range . One person may see a ship ; another may hear the roar of the waters ...
... audience may react . When the poem " Sea Fever " by John Masefield is used as the stimulus , the sensory images created in the audience may show considerable range . One person may see a ship ; another may hear the roar of the waters ...
Seite 161
... audience can have two opportunities to understand it . The compactness of Robert Browning's monologues make this procedure appropriate in introducing such poems as “ Fra Lippo Lippi , " " Pictor Ignotus , " and " My Last Duchess . ” In ...
... audience can have two opportunities to understand it . The compactness of Robert Browning's monologues make this procedure appropriate in introducing such poems as “ Fra Lippo Lippi , " " Pictor Ignotus , " and " My Last Duchess . ” In ...
Inhalt
The function and nature of literature | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York