The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
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Seite 125
... chapter is com- plete in itself . Chapter 2 therefore makes excellent reading material . Note how the reader may reduce the chapter's descriptive passages , but at the same time retain the atmosphere that Dickens so skillfully creates ...
... chapter is com- plete in itself . Chapter 2 therefore makes excellent reading material . Note how the reader may reduce the chapter's descriptive passages , but at the same time retain the atmosphere that Dickens so skillfully creates ...
Seite 273
... chapter ; and a lyrical poem , although it has a narra- tive element , has been chosen for the detailed comments which con- clude this chapter . The dramatic monologue “ My Last Duchess " is discussed in Chapter 5 , and separate ...
... chapter ; and a lyrical poem , although it has a narra- tive element , has been chosen for the detailed comments which con- clude this chapter . The dramatic monologue “ My Last Duchess " is discussed in Chapter 5 , and separate ...
Seite 276
... Chapter 5 and in this chapter . Still he must decide how to organize his analysis , how detailed he should be , and what elements he should include and omit . The discussion below is intended to clarify these points . The comments on ...
... Chapter 5 and in this chapter . Still he must decide how to organize his analysis , how detailed he should be , and what elements he should include and omit . The discussion below is intended to clarify these points . The comments on ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York