The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
Ergebnisse 1-3 von 53
Seite 8
... create his literary selection , all of the artist's experiences become vicarious for the interpreter . By his association with literature , the student ex- periences vicariously many things outside the realm of his daily life . We do ...
... create his literary selection , all of the artist's experiences become vicarious for the interpreter . By his association with literature , the student ex- periences vicariously many things outside the realm of his daily life . We do ...
Seite 102
... creating a corresponding mood for the audience . True , many of us will re- spond differently to the same poem , and ... create in order that the audience may grasp the emotional content of the selection . Naturally , readers may respond ...
... creating a corresponding mood for the audience . True , many of us will re- spond differently to the same poem , and ... create in order that the audience may grasp the emotional content of the selection . Naturally , readers may respond ...
Seite 104
... created in the audience may show considerable range . One person may see a ship ; another may hear the roar of the waters ... create . He must make certain that he has exercised his own imagination to the 104 Modifying human behavior.
... created in the audience may show considerable range . One person may see a ship ; another may hear the roar of the waters ... create . He must make certain that he has exercised his own imagination to the 104 Modifying human behavior.
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York