The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
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Seite 87
... critics is : Where does a reader go to locate criticism ? He would do well to begin with the International Index to Periodicals since it indexes articles in such scholarly publications as The Kenyon Review , the Sewanee Review , and the ...
... critics is : Where does a reader go to locate criticism ? He would do well to begin with the International Index to Periodicals since it indexes articles in such scholarly publications as The Kenyon Review , the Sewanee Review , and the ...
Seite 91
... criticism is good criticism . The student of oral interpretation must read enough of the works of the critic to develop a sense of what is constructive criticism and what is overanalytical nonsense . Not that he will ever be sure in all ...
... criticism is good criticism . The student of oral interpretation must read enough of the works of the critic to develop a sense of what is constructive criticism and what is overanalytical nonsense . Not that he will ever be sure in all ...
Seite 155
... criticism . There is an old saying which goes , " Oh , yes , I welcome criticism , BUT .... " In the last three - letter word lie our reservations . However , one of the criteria of an educated man is that he can properly evaluate both ...
... criticism . There is an old saying which goes , " Oh , yes , I welcome criticism , BUT .... " In the last three - letter word lie our reservations . However , one of the criteria of an educated man is that he can properly evaluate both ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York