The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
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Seite 102
... emotions in the selection , but only a legitimate interpretation of what the emo- tions and their corresponding moods ... emotional content of the selection . Naturally , readers may respond 38 Porter , op . cit . , p . xx . differently ...
... emotions in the selection , but only a legitimate interpretation of what the emo- tions and their corresponding moods ... emotional content of the selection . Naturally , readers may respond 38 Porter , op . cit . , p . xx . differently ...
Seite 187
... emotional effect , a reader should be aware of those passages which require the highest level of concentration on ... emotion . Scientific and scholarly audiences enjoy the thrill of mood and tone as much as others , provided they feel ...
... emotional effect , a reader should be aware of those passages which require the highest level of concentration on ... emotion . Scientific and scholarly audiences enjoy the thrill of mood and tone as much as others , provided they feel ...
Seite 239
... emotion in drama . In order to gain acceptance , a drama must make an almost obvious bíd for a sizable emotional reaction . The char- acters in drama carry their emotions on their sleeves . Nothing is more condemning in a review than to ...
... emotion in drama . In order to gain acceptance , a drama must make an almost obvious bíd for a sizable emotional reaction . The char- acters in drama carry their emotions on their sleeves . Nothing is more condemning in a review than to ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York