The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
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Seite 4
... experiences by participating in the experiences of the author . Second , personal experiences are not only limited , but learning by personal experience may also be costly . The swimmer who , in his ef- forts to dip deeply into life ...
... experiences by participating in the experiences of the author . Second , personal experiences are not only limited , but learning by personal experience may also be costly . The swimmer who , in his ef- forts to dip deeply into life ...
Seite 5
... experience I shall never forget . " It is difficult to sense the totality of the experience in either instance without expressing what is being felt . As people stand watching the Grand Canyon , something happens to them . They must ...
... experience I shall never forget . " It is difficult to sense the totality of the experience in either instance without expressing what is being felt . As people stand watching the Grand Canyon , something happens to them . They must ...
Seite 8
... experience to create his literary selection , all of the artist's experiences become vicarious for the interpreter . By his association with literature , the student ex- periences vicariously many things outside the realm of his daily ...
... experience to create his literary selection , all of the artist's experiences become vicarious for the interpreter . By his association with literature , the student ex- periences vicariously many things outside the realm of his daily ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York