The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
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Seite 128
... keep in mind the study he has made of the selection , letting the analysis of his material form the foundation of his practice . The study and exploration of his literature are not meaningless requirements . The oral reader should ...
... keep in mind the study he has made of the selection , letting the analysis of his material form the foundation of his practice . The study and exploration of his literature are not meaningless requirements . The oral reader should ...
Seite 230
... keep in mind that the story belongs to Buddy and not to the others . The interpreter becomes the narrator for the audience . It is his obligation to present the point of view intended by the author as he understands it , following an ...
... keep in mind that the story belongs to Buddy and not to the others . The interpreter becomes the narrator for the audience . It is his obligation to present the point of view intended by the author as he understands it , following an ...
Seite 299
... keep my commandments , and live . my words : 4 . 5. Get wisdom , get understanding : forget it not ; neither decline from the words of my mouth . 6. Forsake her not , and she shall preserve thee : love her , and she shall keep thee . 7 ...
... keep my commandments , and live . my words : 4 . 5. Get wisdom , get understanding : forget it not ; neither decline from the words of my mouth . 6. Forsake her not , and she shall preserve thee : love her , and she shall keep thee . 7 ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York